Category Archives: The Writing Craft
The Anatomy of Writing
Muscles, bones, and organs make up the human body. In order to maintain health and vigor, these elements must work together right down to the cells. If one cell fails to act normally, the entire body is affected. A manuscript—composed of words, sentences, and chapters—can be viewed in the same way. If the wrong words are used, or sentences not structured properly, the entire story will suffer.
To create a novel pleasing to the eye of a reader, each part must be correctly implemented so that it complements the whole. Using the right words in the right sentences in the right chapters keeps our writing organized and professional. This is what makes our writing “creative”.
As I embarked on my writing career, I didn’t know about some of the key ingredients necessary to create a sound manuscript. It didn’t help that I never took a creative writing class. I pretty much learned by trial and error, which is okay if you don’t mind taking a few chances and risk walking away with egg on your face. I feel like I did just that with my first novel. While many of my readers never mentioned the mistakes I’ve made, a few did and that’s all it took. I began to look at myself as a terrible writer and questioned my calling in life. Fortunately, I’ve since learned a few things about writing and met some authors who have mentored me. God used these great people to remind me what I’m meant to do. Now I’m excited to carry on with my mission to inspire others with the written word, and believe me, I’m not going to make those same mistakes again.
Here are some of the key elements we need to consider. They are the bones, muscles, and organs of writing:
GRAMMAR
It’s hard to know where to start in listing everything it takes to write well, but I’ll start with what we’ve all learned in English 101: proper grammar. A good resource I like to use is the Guide to Grammar and Writing. This site covers everything from adjectives and adverbs to prepositions and pronouns. It also offers helpful advice regarding punctuation, sentence structure, and vocabulary.
VOLCABULARY
The English language contains thousands upon thousands of words, and the population in general utilizes only a fraction of these. I love exploring words and one of my favorite tools is the thesaurus. Our writing can go from mundane to glorious with just a simple word change. Take, for example, a humble word like “thing”. The thesaurus in my MS Word program has a rather large list of words to replace it. Object, article, item, entity, and gadget are a few of the synonyms on the menu. Wouldn’t one of these words be more colorful to use instead of “thing”?
PUNCTUATION
Periods, commas, dashes. These small, seemingly insignificant marks can make a huge impact if used correctly—or incorrectly. We all know when to use a period—I hope, but when it comes to commas, dashes, and those lovely three dots, well, it’s not so clear-cut.
SENTENCE STRUCTURE
Good sentence structure will keep your writing tight and help you avoid run-on sentences, too many words, and confusion. I read an article recently that talked about “weasel words” . These are words that are often used but should be omitted.
PARAGRAPHS
Paragraphs, when properly implemented, gives the readers a short rest between thoughts, action, and dialogue. Avoid long-winded paragraphs, and learn to use short, stand alone paragraphs (single sentences) to add a nice beat to your scene.
SCENES
Most authors use POV (point of view) to begin and end a scene. A new scene can also develop from a change in scenery/location.
Here’s a good article by Brandilyn Collins that will help you produce sound paragraphs and scenes.
CHAPTERS
When to begin and end a chapter can be quite tricky. Some authors will devote a chapter to one character. Everything within a chapter will be in her POV. Chapters are also divided by a location, goal, or conflict in the story and will include several POVs.
NOW FOR THE CONNECTIVE TISSUE, NERVOUS SYSTEM, AND BLOOD VESSELS:
This is what keeps all the parts from floating around inside the body, allows the brain to talk to the parts, and keeps everything nourished. I’m talking about characters, their goals and motivation, and the stuff that prevents them from getting what they want, in addition to the setting the character finds him or her in.
CHARACTERS
Characters, whether POV or secondary, gives a story substance. When a novel has strong characters a reader can connect with, they’ll keep turning the page. Characters without, well, character, don’t hold water. They sink and take the story along with them.
GMC = GOAL, MOTIVATION, AND CONFLICT
These are the elements that give your characters a reason for being there (in the story). They keep the story flowing while maintaining a reader’s interest. Every main character needs a goal and a motivation that keeps them striving to meet that goal. There also needs to be conflict (or disaster). Something that happens that knocks the character off his path and keeps him from attaining the prize.
CSD = CONCRETE SENSORY DETAIL
CSD adds flavor to an otherwise dull scene. Concrete refers to the specifics. Instead of saying: She drove up in an older model car, you could say: She drove up in a fire-engine red 69 Camaro. Sensory refers to our five senses: sight, smell, touch, hearing, and tasting. If you weave these throughout your scene, it’ll come alive for your reader. Detail refers to the small things we might notice about someone or something that better connects the reader to the setting or character. Linda Clare wrote a great article that explains CSD and gives examples showing how to implement it.
SETTING
This is where and when a scene takes place. The nature of the setting as well as the era will have an impact on how the character acts and the conflicts she encounters. Setting is not limited to a place, but also includes conditions such as weather, amount of light, etc. Think of a cold, dark room as apposed to a light and airy one. Each condition gives off a totally different vibe.
If I left out anything (I’m new at this, remember?), feel free to add it by leaving a comment. I welcome everyone’s feedback and I’m sure others will appreciate it, too.
We All Could Use a Little Help
Our writing career, no matter how great or small, should be treated as a profession. Therefore, we should never stop trying to be the best professional authors we can be.
Today, I’m going to discuss books on writing. There are literally hundreds of them, so it’s difficult to know which ones to choose. As with anything, there are good books on writing and there are bad books on writing. That being said, I’d suggest asking someone else in the business. Start with your critique or writing group and consult with your author buddies. If you don’t belong to a group, search the internet. I find the best advice within other author blogs, so you might want to start there.
To save you some time and trouble, I’ve done a bit of searching myself over the years and compiled a list of books that many authors use and recommend. I don’t have a huge library of books (yet), but here’s a few I’ve purchased:
- Flip Dictionary – Barbara Ann Kipfer, Ph.D.
- First Draft in 30 Days – Karen S. Wiesner
- 20 Master Plots and How to Build Them – Ronald B. Tobias
- Character Naming Source Book – Sherrilyn Kenyon
The above books are available through Writer’s Digest. It provides a wealth of books and other resources for writers. You can join this site and sign up to receive emails announcing discount sales on books and links to useful articles on writing.
My friend and critique partner, Lynn Squire, is forever looking for ways to improve her writing craft and gives great information in her blog. The following is a list of books she recommends:
- The First Five Pages, A Writer’s Guide to Staying Out of the Rejection Pile, by Noah Lukeman
- Plot & Structure, by James Scott Bell
- The Writer’s Journey, by Christopher Vogler
- Getting into Character, by Brandilyn Collins
- Characters, Emotion & Viewpoint, by Nancy Kress
- Dynamic Characters, by Nancy Kress
- Dialogue, by Gloria Kempton
- Writing Dialogue, by Tom Chiarella
- Description & Setting, by Ron Rozelle
- Writing for Emotional Impact, by Karl Iglesias
- How to Write and Sell a Christian Novel, by Gilbert Morris
- The Complete Guide to Writing & Selling the Christian Novel, by Penelope J. Stokes, Ph.D.
- Writing the Breakout Novel, by Donald Maass
- Stein on Writing, by Sol Stein
- Techniques of the Selling Writer, by Dwight V. Swain
- How to Write a Damn Good Novel, A step-by-step no nonsense guide to dramatic storytelling, by James N. Frey
- Techniques of Fiction Writing: Measure and Madness, by Leon Surmelian
- The Complete Guide to Writing Biographies, by Ted Schwarz
I printed her list, risking the appearance of laziness, but I couldn’t help myself. Lynn amazes me with the research she does in order to be a better writer.
In addition to books written specifically about the craft of writing, you shouldn’t be without a good dictionary. Make sure it’s a recent edition so you’ll have the latest words. Also, make sure you have a good thesaurus as well as a book on basic grammar (Lynn recommends Polishing the “PUGS”, by Kathy Ide).
Do you have some favorite books not listed here that you’d like to recommend? Please share. We can use all use a little help!
To SOTP or not to SOTP
There are two types of writers: the SOTP (Seat of the Pants) writer and the writer who meticulously plots the story before she even types “Chapter One”.
I’m a SOTP writer. The only plotting I do is in my head in addition to research notes and jotting down ideas as they pop into my brain. I often tell myself that I need to study up on the process of plotting a story and start implementing it. My comfort zone is sitting down in front of my computer and going for it. SOTP writing comes easy for me, but I suspect that once I master the art of plotting, it will come easy too.
Most of us seat-of-the-pantsers don’t know a whole lot about plotting. It does seem complex, even confusing. Do we want to take the time to learn, or just stay in our SOTP comfort zone? I suppose, as with any other endeavor, we can start with the basics. Allow ourselves to learn a few things and put them into practice. After a while, we’ll grow comfortable with this alien form of writing (well, it’s alien to some of us) and it’ll come second-nature.
As a practiced SOTP writer, I’m willing to explore the world of plotting. I’ve read about it, and heard all about the fine points many authors use. From white dry-erase boards to post-it notes to the “snow-flake” method, there are a plethora of plotting techniques.
This week, I challenge my fellow seat-of-the-pants authors to pick one simple form of plotting to try. Don’t try to tackle anything too confusing, just stick to the basics. Here’s a list of several strategies I’ve come up with:
Simple List: Decide what the basic premise of your story will be, the main characters, the secondary characters, and the setting(s). Once you’ve made this list, you can either dive into writing and see what evolves, or you can take this simple list to the next level and add more info about characters and setting.
Characters: Some authors go into great detail describing each character (main and secondary) before they begin writing. Some simply list the names of all the players in the story, while others note each character’s goal, motivation, conflict, and any catastrophe they may face in order to achieve their goal. Some even decide ahead of time the character’s hair and eye color, stature, tone of voice, and other mannerisms.
Scenes: This step can be quite involved, but helpful in keeping track of where you want your story to go. If you decide to accept this mission, keep it simple. Come up with a beginning, middle, and an end. Decide who the major players are and what their role in the story is, where the story is set, and the main goal of the story and its characters. When you’ve tackled this much, you may add more information and begin to divide each part (beginning, middle, and end) into individual scenes.
Keep in mind, these “strategies” are very basic and come from someone who is a “plotting novice”, but I think it’s a good start. Have fun with this. I know I will.
Before I end this, I want you to know that if you are a SOTP writer, don’t be ashamed. As far as I know, there are no hard and fast rules in the publishing world that state you can’t be a seat-of-the-pantser. Some authors do very well writing this way, while some writers take days–even weeks–plotting every single detail and still can’t produce a good story. It goes back to one of my first posts: Were you born to write? Do what works for you, but don’t be afraid to try something different that may improve your gift to write.
Check this out!
I came across this blog post today about genres, and thought I’d share it with you.
http://www.booksandsuch.biz/blog/the-rules-of-genre
What’s Your Genre?
Genre (pronounced ZHON-RAH) is a French word defined by Merriam-Webster as a category of artistic, musical, or literary composition characterized by a particular style, form, or content. The genres most publishers recognize are general and few, and, as authors, we have the arduous task of fitting our manuscript into one of them. Too bad our writing isn’t so black and white. Fortunately, within most genres, there are sub-genres, thus making our job a bit easier. Here’s a list of the most common genres:
Fiction
Historical – set during historical events predating the life of the author. Publisher preferences vary regarding what dates are considered “historical”. Some draw the line at the 1960′s, while others may allow more recent decades.
Children – stories geared toward children, their level of comprehension, and what is deemed appropriate for their age group.
Young Adult (aka YA fiction) – stories that preteens and teens would enjoy and are appropriate for their age group.
Women’s Fiction – Books marketed toward women and the issues they face.
Fantasy – Involves magic or other supernatural forms. The setting is often mythical or imaginary.
Science Fiction – Stories are based on science. The setting and characters are often imaginary.
Horror – The intent of this genre is to horrify, unsettle, or frighten the reader. Characters can be real or imagined such as spirits and other supernatural beings. There is always a presence of evil in these stories.
Romance – The main plot of these stories is a love relationship between a man and a woman. Some publishers require that both characters emerge in the story within the first few chapters. Usually these stories have a happy ending. Sub-genres include Historical, Contemporary, Comedy, and Paranormal (see below).
Chick Lit – stories by women for women usually possessing a light, humorous tone. Considered more personal than General Fiction, Chick Lit explores issues most women face from dating to weight loss. Sub-genres include Mommy Lit, Marriage Lit, and Christian Chick Lit.
Westerns – Although these books can be regarded as a sub-genre to the Historical genre, not all Westerns are about the Old West. True, most of these stories are about the wild American West back when it was first settled, but many Westerns are contemporary. From ranchers to rodeo, this genre remains a favorite for both men and women alike.
Paranormal – Paranormal means “beyond” normal, or anything that cannot be explained by science and, unlike Sci Fi, the setting remains in the world as we know it. Think of Dracula, The Werewolf, and the Twilight Saga. This genre can also be a sub-genre of Romance.
Mysteries – This genre involves characters who investigate crimes and other mysterious events.
Speculative Fiction – Genres that speculate about worlds that are unlike the real world such as science fiction, horror, and fantasy.
Non-Fiction
History, Science, How-to, and Self-Improvement books fall under this category. Also Documentaries, Autobiographies, Biographies, Bible Studies, and Devotionals. Basically, any book based on fact, true events, real-life people, etc.
Other genres not listed above include poetry, plays, collections of short stories, and graphic novel (comic books).
I’d admit, my list is not conclusive. There are just too many to name, but I think I succeeded in listing the most common genres used today. You can see the difficulty facing authors in coming up with the precise genre that fits their writing. It’s important that you choose one to concentrate on, at least until you’ve got a few published works under your belt. Targeting one specific genre helps you to brand yourself in the publishing world. Don’t worry about what is hot in today’s writing market. Most established authors will advise you not to write for the market, but rather write what your heart tells you to write. The market is fickle. You’ll fare better to pick the genre you’re most interested in.
In conclusion, write to your heart’s content then look at the list of genres and see where your story fits the best.



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